Showing posts with label crazy. Show all posts
Showing posts with label crazy. Show all posts

Wednesday, June 30, 2010

ALTERNATIVE COMICS


HEY APATHY! Alternative Comics



The G20 has come and gone leaving little trace of having ever existed asides from a large quantity of indecipherable youtube videos, a couple of way, way, way, back page stories of human rights violation and a lot of disgruntled civilians recently released from the “Torontonamo” detainment facilities. The entire experience has culminated as a distasteful confusion that has amounted to little. It would appear that the summit has determined means of saving our worlds finances while the streets are barren and a strange air taints the public. For the most part everything is back to normal and the machine grinds on despite the attempted refute. I myself feel drained and distracted and can’t even believe my own eyes nor my words. The entire situation has painted a grim picture of humanity and government and psychological manipulation. I only wish there was a better way and that people could organize themselves, and I have to wonder how many protestors are now safely at home drinking corporate coffee and eating mass produced food-stuff because they can’t really afford to buy fair trade or organic. ( 700 grams of sugar/corn oil and peanuts is cheaper than 150 grams of peanuts alone?)  Myself, I’m going to stop researching the unobtainable and return to my own brand of protest, writing stories, drawing pictures, and learning new words ( I made a list of 200 words long forgotten and secretly hide them in the sands of a children's playground  this morning). Everything I saw and attempted to correlate throughout all the chaos was as fictitious as a movie in light of harsher realities. That is not to say that I’ll bury these occurrences in the back of my heart like the news has buried them on the back page. No instead I will draw upon my intuitive eye witness and transmute these emotions as reference and evidence for things I already know and have been dealing with for a long time.The real villains still lurk like literature devouring monstrosities corrupting innocent minds and perpetuating strange ideologies, so I will attempt to let my disoriented infusion of angered love for all peoples continue to manifest as comics for kids. After all I believe that there is much hope for the future and that future lies only in the minds of the young. ( You've got to believe in something when the world is unbelievable... HEY APATHY!)



Saturday, June 19, 2010

ALTERNATIVE COMICS of SHADOWS...



HEY APATHY! Alternative Comics



Over the years of my weird studies I’ve read, watched and witness many happenings involving shadows. In stories they have boxed back, hid dark secrets and in a certain instance a ghost impersonated one for a groundhog. On film I’ve seen battles in which ninja move in and out of them and at night I’ve been mesmerized by an odd kaleidoscope of twirling shapes on my ceiling which don’t quite align with the passing traffic which supposedly causes them. It is clear that these unassuming darkened reflections of the world hold secrets which are generally taken for granted.


Having arrived at this deduction I felt it was only natural to investigate the matter more thoroughly . In order to do so I came up with a simple plan involving a few powerful photography lamps and a selection of household products. Setting up my devices in the studio with an intuitive particularity, I proceeded to cast large shadows on the wall of the loft. My intention was to briefly meditate on each form before capturing some quick gestures with my India ink and brush.


I’d no expectations as to what I might find, which as the physicist knows can be both progressive and troubling. It is of the utmost interest to discover things you aren’t looking for, but without direction or intention can one discover anything at all? Well I certainly found out something that maybe I shouldn’t have as the shadows began to take on a life of their own. When casting a mug I found a four legged creature and the mop, broom and bucket revealed a horse. I tried some chairs and a nightstand only to discover a strange form which looked a lot like Australia. And finally I put forth some of my groceries and mixed everything together which projected the clear and precise image of a human form.

That form divided itself into two similar factions both growing horns and dancing about. A third figure, less sleek and more bulbous appeared shortly thereafter and the three unusual creatures enveloped the wall. As they crept around the north side of my studio their shapes grew more definite and their actions less obscure. I could see they were pacing hastily as though in search of object becoming increasingly frantic and frustrated as they went about. It was a horrible scene but strangely fantastic so I grabbed my paper and imitated the forms on the page.

At this the shadows stopped and turned towards me, pointing and relaxing as though their query had ceased. Suddenly I felt a terrible chill which caused me to draw rapidly though I wasn’t sure why and for some reason was accepting of the occurrence. Not an unusual thought regarding these shadow had entered my mind. I didn’t think about the absurdity nor question the movements until the shapes started changing. Like a small clustered disco ball little flickers of light danced from inside, and the dark flat shadows appeared more multi-dimensional. I could see strange organic clusters around the area of the creatures faces revealing them selves in unknown forms which I can explain better with my pen.






 
I rushed to complete the images which still did not bother me for I must have been under some sort of dream spell. The horns and the meat faces became clearly visible as did their hands and small remnants of clothes. Marvelling at the magnificent find I paused for a moment to bask in the weirdness slowly engulfing me. It was in this petrified moment that my senses returned initiated by the most terrifying thing I’d ever scene. Not the horns, nor the hands, nor the clothing astounded me, not even the amorphously butchered globular mess which passed itself as their faces. It was one last transformation which sent me into a panicked fear, finally breaking the hypnotic clutches dulling my thoughts. As the shadows pointed with authority in my direction I saw the them for the first time as something other than shade. One by one they opened their eyes. These eyes were not flat, and were certainly not impressions as not light reflection could mimic a optic so well. Fully developed round juicy blood shot eyes and in some instances more than were appropriate.


Shuddering I’d of screamed if not for a fit of extreme dehydration. Although my parched throat could be accounted for by the photography lamps, I can’t help but feel as though something else was responsible for draining me of my natural fluids. I smashed down the objects placed before the lights in a frenzy to stop this surreal metamorphosis. Breaking to lamps and turning off the others I sat in pitch darkness uncomfortable afraid. The images had vanished but I was still quivering though I had no trouble recollecting the sight of their eyes. I added them to the ink drawings while alone in the blackness fearing both the stark night and even more the cast shadows which would soon return with the rising sun.

Monday, June 14, 2010

ALTERNATIVE COMICS STREET ART CHRONOLOGY 2008

HEY APATHY! Alternative Comics

I spent the fall and early winter of 2007 preparing for a large scale drawing installation. The show opened on the first of December and ran for an entire month at the Resistor Gallery on College Street, Toronto. The new years cold month were spent at the Kensington Market studio producing a series of 3 extended and extremely intricate pen and ink drawings. I returned to the street for my last full time season during the late May of 2008. In this my final year I had mastered my performances. I had overcome territorial battles, imitators, city by-laws and perfected my display. However despite conquering many of the streets obstacles there was one battle which could not be won. The 2008 street season proved to be one of the most gruelling of all as Toronto was swamped with unseasonably wet weather.


Last Street Drawing The Corner of Queen West & Soho

Though it was my practice to produce smaller detailed drawings during the week cumulating with weekend performance extravaganza’s the was not a single live painting produced on the streets in 08. The warm weather came late after a harsh and cold winter and was dampened by constant thunder storms and rain. In fact it actually rained every single Saturday and almost every Sunday for the entire spring and summer that year preventing all my public painting. The weekdays weren’t much better as I found myself perpetually closing up shop midday to avoid being drenched. Business was great when it was sunny but the clouds were relentless. A picturesque example of my street art that year is the image of me and two customers trapped under my umbrella waiting for the storm to pass so we can close the sale. I produced approximately 30 15 x 30 “ detailed pen and ink studies including my last street drawing depicting the landscape around me. Frustrated by the rainfall I found the season more contemplative than progressive and decidedly started illustrations regarding my evolutionary course. The diptychs explored comparative imagery of similar landscapes drawn in my initial hieroglyphic style and my more modern comic book renderings respectively. There were not many crowds and nor live paintings in the streets and having done some final analysis’ I decided it was time to move on.

CITY OF GEARS from a far and from inside.


Fortunately and fatefully cosmic at the same time I as the streets were fading I received three invitations to work at gala events. I painted at a huge fundraiser at the Don Valley Brick Works and at a Queen West Gallery Event, followed by a commissioned clothing design for the Art Gallery of Ontario and a performance in the storefront window of Toronto’s Hudson’s Bay Company Store. All the cards were lining up for me to move on as I found my street art exhibits landing in the most unusual of places. While the outdoors grew less friendly and workable due to the poor weather, many new doors were opening up and welcoming me inside.




The City Fish! HEY APATHY ink drawings 2008



I had expended much energy trying to work around the awful weather and found that my time was more fully consumed by this irritation than by the act of creation. I stopped working the streets in Sept of 08 though the transition was as natural as necessary as I’d already spent the better part of the season indoors. Feeling satisfied with my investigations I resided to start focussing on certain more detailed and sustained projects which could not be made in the streets. Not only did the rain dictate the amount of work being made but so to did the wind, dirt, and bird droppings which often plagued the streets. The life span of an illustration board being worked on in public is approximately three days. After this time the dust and moisture begins to take it’s toll. The tree I depended on for shade and shelter from the elements also had a tendency of releasing particles of sap across my papers. Therefore any drawing had to be completed quit quickly so as to be wrapped protectively under plastic before the streets ruined the piece. This meant no sustained artworks and absolutely no comics for such projects require pristine environments for production.The rain also played a huge part in determining the work for if the skies looked threatening I had to work on a small scale. No brushes or wet inks could be used on such days and as a result I worked exclusively with technical pens through out 2008.




 
In the fall I resigned and retired from my full time venture in the streets and decided to pursue the development of the HEY APATHY! comics. Having learned many things about architecture and others I set up my studio to start my surreal memoirs. The new comic book series would be a simultaneous exploration of my true life experiences and the mythological illustrations I created on the streets. The goal being to share my experiences of strange interactions with my sociological symbolic superhero drawings. Even though I was now well researched and certain that I’d learnt all I could from the public venue, I knew that I would miss the constant exchange of ideas so I started to plan ahead. Instead of working the streets I started booking a number of public festivals ensuring that I would perform at least once a month throughout the following year. Today I am still working at numerous festivals while simultaneously maintaining a ridged studio schedule. The result has been more comics and animations but no of the stories could have possibly sprouted with out the 5 years worth of investigative interventions which I performed in the streets.

Thursday, June 10, 2010

ALTERNATIVE COMICS Street Art Chronology 2006 part 1

HEY APATHY! Alterantive Comics at P.S. Kemsington 

Street Art Stories 2006

continued from ALTERNATIVE COMICS Street Art Chronology 2005-06 part 4 As the summer picked up so did the heat., in every sense of the word. The temperature rose as did the crowds and once more my performances were proving successful. I had expanded, uncontested to a full 10x14 foot display featuring a complete line of prints, large murals, and t-shirts when simultaneous success brought forth enemies both new and old. While I successfully exhibited the works at the T.O.A.E. and was invited to take part in a group show in one of Toronto’s best galleries, at the same time the celebrations caused me more by-law hardships while working on the street.

 
By the summer of 2006 I had developed numerous and practiced techniques for my live painting performances. I had stop detailing the images with bamboo and focussed entirely one brushes using the wooden handle end instead of the pen. 4 x 6 foot Monsters and spiralling metropolis spewed across the paper in a matters of minutes. The images involved several characters from the 2005 ink drawings including the Superhero, the Samurai, the Machinehead and the Evil eye. I worked out on Queen Street on a daily basis while performing on the weekends and at several P.S. Kensington Car Free street festivals . Numerous midnight missions were also made landing graffiti style cartoon decapitations all over the city.

 
Live Painting at the T.O.A.E.

The street drawings were starting to gain recognition and were successfully shown at the Toronto Outdoor Art Exhibition. The weather remained cordial throughout the entire weekend and the open air festival proved unbelievable busy. On the first day I painted a large set of character faces which I proceeded to cut and frame for the Saturday sales. This was a process I had repeated almost daily while exhibiting the work on Queen West. At first I would make ten or twenty of these scribbled monsters and they would last for a week but by 2006 I was making at least that many each day. Eventually it got to the point were I would set out a 4 x 6 foot scroll and draw 50-60 characters in a rough grid as a performance and hope the supplies lasted. Fortunately or otherwise the character performance at the T.O.A.E. was the last batch of small hand drawn artworks I ever made. I replaced my 8.5 x 11 “ selections with digital prints after the exhibition.

4 x 6 ft. Character Performance and Selection of Prints

 
I talked to adults and children and people from all over the world. I even met people who spoke only other languages as the show is a huge attraction for tourists and collectors alike.One of the most impressive encounters I had at the outdoor exhibition was my introduction to the curator of the Edward day gallery, Kelly McCrey. The Edward Day gallery is one of the most highly respected of fall the Torontonian establishments. Kelley invited me to take part in a group exhibition and I was proud to accept his incredible offer. The HEY APATHY! Street drawings were reaching new heights both technically, professionally and most importantly in terms of interactions.

 
Having travelled many drawings since my introverted studio days I really started taking to engaging the crowds. Every drawing had a story and I was talking to more people and drawing bigger crowds. Of course, like before, the attention attracted grievances . A neighbouring and fully licensed jewellery vendor took offence to my success and started perpetual reports of my “inappropriate” activities to my old friends the by-law enforcers. At first the by-law officers let me pass with my buskers license but the jeweller persisted. He even made false reports of illicit behaviour resulting in visitations and fruitless searches by the actual police. Eventual the by-law officers, after numerous complaints from the vendor, told me that my license was not fully legit. They got me on a technicality which states that the busker cannot actually put articles on the city walk ways. After several repeat encounters, in which I was always sent off of the streets, one of the by-law officers told me that he found out more about the licenses and that there was one I could get. I followed his instructions immediately and found myself fully licensed and back on the street.


 I lost almost two weeks of the summer battling with the vendor’s complaints and despite my full license I moved a safe distance away from that jeweller. It occurred to me that all the attention, my music and madness may have been quite problematic to his business so I tried not to hold any lingering hatred for the man. However I soon realized that the bout was indeed personal as the angered jeweller was quickly horded by drunken street people and musicians who occupied my vacated spot near the vendor for the better part of the following two years. Amazingly no matter how loud, how drunk, or how large their group expanded, I never saw the jeweller file another complaint?

ALTERNATIVE COMICS AT TORONTO COMICCON

HEY APATHY! Alternative Comics at Toronto Comic Con!


 
It has been over a week since I last found time to scribe my ridiculous notions in this little journal. Fortunately the lapse was not the result of any fit of malaise nor the result of any injury but rather induced by an excited distraction. I spent the better part of last week. the entire weekend and then some working on two simultaneous exhibitions. Having unintentionally double booked showings this past Sat.- Sun. my father and I split the chores and attended separate shows. He took the fine art up to Ottawa while I attended the Toronto Comic Con Fan Appreciation event at the Metro Toronto Convention center. 


 
The comic festival was awesome and I met hundreds of people while performing a 4 x 8 foot live ink drawing (shown above). It was really fun to share my alternative comics philosophies in a venues primarily dominated by the mainstream. The live painting was highly regarded especially by the younger audiences as I made a bunch of new short friends who kept coming back to check my progress. The painting featured a giant city of gears propelled by a whirlwind of all sorts of crazy people. Like all of my performances, the drawing was heavily influenced by the surroundings and the city was transformed into a monstrous mecha-creature. But do not fret for the skies are quickly filling with various super-heroes soaring towards the beast and ready to save the day! The entire drawing took two days to complete and was done simultaneous with constant story-telling and discussions making the experience one I'll never forget.


The second day of the show was particularly busy as a result of the incredible Fan Appreciation promotion. The Comic con charged a $10 admission fee but in return each person received a $10 voucher good at any of the comic book retail booths. I thought this was great especially in comparison to most conventions which cost over $20 just to get in. The place was packed right until closing and I was happy to see several old friends from Queen West as well as many, many new ones.  


Toronto Comic Con!


Me and Venus Cat getting ready for the weekend shows.


While I was working away at the Convention Centre my Dad was doing the same up in Ottawa at an Outdoor Exhibition. His show went really well and he had tonnes of stories. It was really wild to hear him talking about all the different people that he'd met. He sounded very much like I do when I've just finished a good show and I am really happy that the experience was as enlightening for him. Thanks for your help Dad way above and beyond anything I ever expected. We won the emerging artist award at the festival and my father managed to move a number of ink drawings as well as merchandise.