Thursday, September 9, 2010
Alternative Comics GERM WARFARE
Thursday, June 24, 2010
Alternative Comics G20 from the streets...
Saturday, June 19, 2010
ALTERNATIVE COMICS of SHADOWS...
Tuesday, June 15, 2010
ALTERNATIVE COMICS an artist's statements
Wednesday, June 2, 2010
STREET ART Chronology 2005 Part 3
Saturday, April 24, 2010
ALTERNATIVE COMICS Giant Robot Dreams
Saturday, April 3, 2010
ALTERNATIVE COMICS in SPACING MAGAZINE
Tuesday, March 16, 2010
Alternative Comics "CHAMBER MUSIC" and Online Comics
Thursday, February 18, 2010
LIFE OF AN ARTIST Comic Portraits Neil Gaimen


Neil Gaimen giving "instructions" of the utmost urgency.
Each and every morning I set aside a short sequence of moments in which I find both pleasure and business in the act of reading. In pleasure the time spent allows me to escape and enjoy life in an unusual manner and in the business of thought I always learn something, a new word , a new connection or how to avoid police suspicion after committing a diabolical act.
I generally tend to choose the readings based on the amount of time I can allocate and find my self frequently returning to short stories, articles, and comic books due to the limitations one decree's as a freelance illustrator. Today however I figured it was best to take a comic to the cafe not because my time is limited (obviously) but rather because the peculiar prerogative of the February wind chills. It is damn cold outside but nothing like the previous winter and I had calculated that I could last outdoors with my coffee and the fresh air for approximately 20 minutes.
Therefor I reached blindly into my library grasping a copy of Neil Gaimen's "Dream Country" and decided to kidnap Calliope while i caffeinated myself. I must have read this a million and six times by now and it never gets stale. The spine tingling sensation and un-namable understanding that comes with good horror I got from these books as an adolescent hasn't faded a bit. These were among the first truly incredible comics I ever read, and , having been bored and disgusted by the exchange of script for slash which dominates the genre, restored my faith in the macabre. Thanks for all the wonderfully pretty stories Mr. G.
As is also part of my daily journal's and artistic warm up, I followed the inspiration with a little sketch of the monstrous muse. I looked at some press shots of Neil and thought they were as silly as a sandstorm in the sea so I did the drawings while watching him read one of his poems entitled "Instructions" instead. The portraits took about 5 minutes to draw, which is how long it will take you to listen to the story on youtube.Highly Recommended.
Wednesday, February 17, 2010
LIFE of An ARTIST STREET MURALS

Kensington Market Street Art
HEY APATHY! I spent almost the entire day working on-line. The fiasco which has become my life (as an artist) was enveloped by resizing and uploading images since 8 am this morn. I have been trying to apply online for the 2010 Toronto Outdoor Art Exhibition for a couple of days now. Unfortunetly I had to wait until yesterday to get in contact with a staff member because we just had a long weekend here in Canada. Nevertheless the crew over at 401 Richmond running the T.O.A.E. is incredible and all my queries were answered first thing following the holiday lay off. So I proceeded to prepare my slide list and support materials only to discover late last night that I did it all wrong and my images turned out to be way to small.(Oh there is never a dull moment in the life of an artist.)Following my uploaded defeat, I gave up on the application and worked on some sketches for the remainder of day.
Today, however, was a new day! I completed the resizing and uploading in record time without a single glitch and I suppose I got into it and carried away. I just kept uploading and resizing and uploading and resizing and only a few moments ago ( it is now 14 hours since I started) came to a standstill having completed about 5 new pages for my website. I am building the damn thing myself so don't expect too much on the technical side but I think the curation of my madness could not have been handled by any one else. Check out my updated MURALS page at www.heyapathy-comics-art.com/MURALS.html . I uploaded all the image and text links today so there a new galleries within the gallery. I'll try to get the essays explaining the significance of each mural on there tomorrow but for now I am very,very tired.

Toronto Garage Mural Acrylic on Brick 2007
Friday, February 12, 2010
Life of a Canadian Artist

SUBMISSIONS!SUBMISSIONS!SUBMISSION. Today was a day of buearocratic paperwork. Alas the life of an artist is not all killing monsters and blowing up buildings. Sometimes us creative folk actually have to do work. Especially those of us without representation, so it goes. Fortunetly for me my organizational skills are starting to come together and I've much experience in the feild. The result being that these proposals get easier each time ( and subsequently increasingly profitable). This is a particularily busy time for the paper work as a number of the events I take part in annually have deadlines falling between Feb 15 - March 1. I sent a few things out over the web today including my Nuit Blanche application. Last year I did a live street painting & musical performance on Queen West. This year I'm going to try and get you guys to do all the work as I hope to install and conduct a sort of open canvas workshop in the same location. Truth be told I sick of drawing pictures and if I can get someone else to do it all the better! Just kidding. Actually the most exciting part of all my public performances and interventions has always been the interaction between my self, my art, and the audience. I thought it might be interesting to try and break the boundaries between artist & viewer through a more interactive performance this year. It will defenitely be interesting and very likey quite messy. Here are some samples of the kind of work I have to put into these proposals.
Floor plan foor a 10 x 20 ft. Multi-media Public installation:

The proposals also require visual support material of past projects. This one's from the Toronto Outdoor Art Exhibition:


















