Showing posts with label street art. Show all posts
Showing posts with label street art. Show all posts

Wednesday, January 5, 2011

The City of Gears Kids Comics and Cartoons

HEY APATHY! THE SERIES STARRING


Robots, Monsters, Superheroes and the City of Gears! A group of artists and musicians battle strange technological terrors in the City of Gears! I spent a few hours this evening working on these character studies for the imaginary television series. I did a quick concept sketch for this before Christmas and promised myself that I would work it up a bit after New Years. Well it’s already the sixth of January and I hadn’t found anytime for this yet, which resulted in a guilty little nagging voice acting out as a constant subconscious reminder of my unfulfilled commitment. I finally caved, boiled up some coffee a made the time I’d committed to, to work on the pitch. I made drawings of 5 of the 7 team members and did a lot of meditative orginazation of their origins and the story,. Anyways I’ve got some commission work, and appointments to do deal with tomorrow and I am so close to finishing a scene in the animation that I’ll probably won’t get to finish this roster ( and all the villains) until early next week.



Here’s a quick breakdown of the kids comic book characters shown above

1) Instructor Howie- art teacher, zen master

2) Timmy- young artist, tablet can project 4-dimensional avatars the Timmy draws on the screen

3) Argenta- computer witch can communicate and gets along with any electronic/digital/ artificial intelligence. In the City of Gears everything from the sewer system to the skyscrapers is automated, giving Argenta abilities surpassing the greatest of history’s sorcerers.

4) The Robot- a strange computer chip is corrupting peaceful robots. When Argenta discovers and removes the chip the Robot tells her that it not only had the device made him do bad things, it also made him feel bad. Thankful for his freedom the Robot re-programmed himself to join and protect Argenta and her friends.

5) The Flutist Gale- music instructor and majestic flutist whose notes conjure nature and whose music battles the machines….



That’s it for now, damn it 3:49 am and I have to be a train station tomorrow by 9! Good night. HEY APATHY! FREE WEBCOMICS




Friday, October 1, 2010

Alternative Comics Surreal Webcomic

HEY APATHY! Alternative Comics

Busy week in and out of the comics laboratory. I've been pounding away at the animation but had so many other odds and ends that  time is slipping by fast. I did a lot of research ( with the aid of my father) into getting proper prints done. I haven't been able to meet the needs of my customers because of various technical difficulties regarding print production. However this past week has been really successful and I've been able to find a few really nice prints at various price points. I got some glossy posters done, which will probably sell for less than $60 and some really high quality arcival giglee prints. The giglee prints aren't cheap, but damn they are striking. I am really happy with the work and will be making up a couple of new editions next week. This weekend is the Nuit Blanche festival so I also spent many hours editing the animations and music which are going to be projected on the front of 401 Richmond Street. I'll also be performing /projecting out on Queen West as an unofficial part of the program. The worst part about editing was that not only do I not know what I'm doing, but I installed a brand new video editing software in my computer that was totally awesome, until it crashed my system. Nothing, not even my documents folder, would work properly until I uninstalled the new system. That was a rotten 6 hours. Nonetheless I got the weekly webcomic finished and posted. The prologue or first vignette, is now complete. So that's one exhausting week with many other things still unresolved I move forward towards Saturday's exhibition, an entire night, from sunrise to sunset, of live painting and projected animations in the middle of the streets. OTHER STREET ART EXHIBITS

Saturday, August 28, 2010

Alternative Comics Surreal Streets, Buskerfest 2010

I just got in from my second day at the Buskerfest. I'm filthy, exhausted and have been painting for 11 hours. It will probably take just as long to get the black grit out from beneath my nails. The thing was a freaking party, amazing music, thousands of people, 30 foot tall rampaging dinosaurs and the most striking venue I have ever had the pleasure of performing at. Can’t get the pictures off the camera, am to tired to recollect the events any further, and I get to do it all over again tomorrow, good night!

Tuesday, June 22, 2010

ALTERNATIVE COMICS Web Comics and Stories

HEY APATHY! Alternative Comics



 
HEY APATHY! Is an ongoing artistic investigation into the metropolis, the monsters, people and the mechanics of being. In the earliest artworks the city is announced as an ominous gear spun by an endless sea of faceless denizens. . Since that time I have executed an unconventional interview using street art and public interactions to uncover the true nature of the urban landscape. The online catalogue follows my seven year quest featuring illustrations, comics, murals, performances and animation strung together as a narrative adventure. As a result of my experiments the story of the gear has grown and changed much. Today the metropolis is still rendered as a giant machine, only now it is all the different characters, not anonymous cogs, who fuel the machine!







MONSTER COMICS is a web comic following my misadventures on a freelance assignment for a strange mystic named Weird Blackbeard. Blackbeard is a patron of the arts knowledgeable of all things unusual who commissioned me to do some surreal portraits early last year. The job proved extraordinary nearly costing me life, limb and possession but it was worth the fiasco to get all these cool drawings….








SURREAL COMICS is a collection of illustrated stories and correlated strips featuring tales of the unknown. Morphologically relevant satirical dreams regarding alien encounters, distorted monsters and the sudden appearance of rooms which should not be.

Sunday, June 20, 2010

ALTERNAITVE COMICS Happy Father's Day!


HAPPY FATHER'S DAY DAD!!!

I doubt there are many successful or creative people in the world who made their way without the help of others. My “HEY APATHY!” project is no different and on this the day for dad’s, I’d like to express my overwhelming gratitude for all the help and support I’ve received from my father. My dad has been an incredible force in assisting me in making all my crazy comics and art. If it weren’t for his  help I’d have never made it this far ( whether or not that’s a good thing is up to you to decide).


My father has been an integral part of all my outdoor exhibitions and street performances. He built the portable red wall gallery I use  and has on numerous occasions handled the transportation and set up for shows. He has also  hosted entire events all on his own and was really successful a few weeks ago in Ottawa showing the work at a festival, When I worked as a street artist he helped me with my display and made frequent trips the dollar store to make sure I  always had frames for the busy weekends. During that time he also set up a work shop in his basement where he built, stretched and primed all of my canvas’ for two years while I was creating such work. Today that same work shop is used for framing paper drawings and shrink wrapping prints.



My Dad helping battle the wind at the Toronto Outdoor Art Exhibition



He also handles all of my printing and publishing, doing all the necessary research, leg work, and shipping to make sure that my merchandise is top notch and readily available. This work has included the publication of three graphic novels, two limited edition silk screen posters, a line of t-shirts and various digital prints. He is currently hard at work developing the large scale posters we hope to have ready later this year. My father also financed the construction of my website, http://www.heyapathy-comics-art.com/ , as well a several road trips to promote the work including a vineyard in Niagra Falls and some performances in Manhattan. (see the New York photo below).



STREET ART photo of the road trip to New York


There are probably several hundred other things he’s done for HEY APATHY! that I can’t think of right now not to mention his raising, feeding and sheltering me throughout my formulative years, but all good Dads do that. I’d also  like to mention that along with all the hard work he does with me he is also a full time babysitter dividing his energy between watching over my two-year charming nephew Darroch (named after my father) and his crazy older brother Don. I don’t know were he finds the energy but he’s still going and has a done a lot better at keeping his hair than I have. Thanks for all the support Dad, couldn't do it without you. You don’t know how much it means to me!!!



Saturday, June 19, 2010

ALTERNATIVE COMICS of SHADOWS...



HEY APATHY! Alternative Comics



Over the years of my weird studies I’ve read, watched and witness many happenings involving shadows. In stories they have boxed back, hid dark secrets and in a certain instance a ghost impersonated one for a groundhog. On film I’ve seen battles in which ninja move in and out of them and at night I’ve been mesmerized by an odd kaleidoscope of twirling shapes on my ceiling which don’t quite align with the passing traffic which supposedly causes them. It is clear that these unassuming darkened reflections of the world hold secrets which are generally taken for granted.


Having arrived at this deduction I felt it was only natural to investigate the matter more thoroughly . In order to do so I came up with a simple plan involving a few powerful photography lamps and a selection of household products. Setting up my devices in the studio with an intuitive particularity, I proceeded to cast large shadows on the wall of the loft. My intention was to briefly meditate on each form before capturing some quick gestures with my India ink and brush.


I’d no expectations as to what I might find, which as the physicist knows can be both progressive and troubling. It is of the utmost interest to discover things you aren’t looking for, but without direction or intention can one discover anything at all? Well I certainly found out something that maybe I shouldn’t have as the shadows began to take on a life of their own. When casting a mug I found a four legged creature and the mop, broom and bucket revealed a horse. I tried some chairs and a nightstand only to discover a strange form which looked a lot like Australia. And finally I put forth some of my groceries and mixed everything together which projected the clear and precise image of a human form.

That form divided itself into two similar factions both growing horns and dancing about. A third figure, less sleek and more bulbous appeared shortly thereafter and the three unusual creatures enveloped the wall. As they crept around the north side of my studio their shapes grew more definite and their actions less obscure. I could see they were pacing hastily as though in search of object becoming increasingly frantic and frustrated as they went about. It was a horrible scene but strangely fantastic so I grabbed my paper and imitated the forms on the page.

At this the shadows stopped and turned towards me, pointing and relaxing as though their query had ceased. Suddenly I felt a terrible chill which caused me to draw rapidly though I wasn’t sure why and for some reason was accepting of the occurrence. Not an unusual thought regarding these shadow had entered my mind. I didn’t think about the absurdity nor question the movements until the shapes started changing. Like a small clustered disco ball little flickers of light danced from inside, and the dark flat shadows appeared more multi-dimensional. I could see strange organic clusters around the area of the creatures faces revealing them selves in unknown forms which I can explain better with my pen.






 
I rushed to complete the images which still did not bother me for I must have been under some sort of dream spell. The horns and the meat faces became clearly visible as did their hands and small remnants of clothes. Marvelling at the magnificent find I paused for a moment to bask in the weirdness slowly engulfing me. It was in this petrified moment that my senses returned initiated by the most terrifying thing I’d ever scene. Not the horns, nor the hands, nor the clothing astounded me, not even the amorphously butchered globular mess which passed itself as their faces. It was one last transformation which sent me into a panicked fear, finally breaking the hypnotic clutches dulling my thoughts. As the shadows pointed with authority in my direction I saw the them for the first time as something other than shade. One by one they opened their eyes. These eyes were not flat, and were certainly not impressions as not light reflection could mimic a optic so well. Fully developed round juicy blood shot eyes and in some instances more than were appropriate.


Shuddering I’d of screamed if not for a fit of extreme dehydration. Although my parched throat could be accounted for by the photography lamps, I can’t help but feel as though something else was responsible for draining me of my natural fluids. I smashed down the objects placed before the lights in a frenzy to stop this surreal metamorphosis. Breaking to lamps and turning off the others I sat in pitch darkness uncomfortable afraid. The images had vanished but I was still quivering though I had no trouble recollecting the sight of their eyes. I added them to the ink drawings while alone in the blackness fearing both the stark night and even more the cast shadows which would soon return with the rising sun.

Friday, June 18, 2010

ALTERNATIVE COMICS Technological Dependencies



HEY APATHY! Alternative Comics

Forced out of the studio by the suffocating humidity as part of my regular practice I retreated this afternoon in work the park. Most days this ritual proves more than satisfying as well as productive as I pass a few hours with my sketchpad and a book. I consider myself quite fortunate to have such an opportunity as a freelance illustrator with no particular schedule and truly enjoy passing the hot summer days leisurely doodling and researching in a shady quiet corner sprawled across the Kensington grass. Of course this limit’s my capabilities to develop any of my finer ink drawings or anything the computer centric animation but I fret very little as the time proves rather healthy. The fresh outdoor air relieve me from the flickering screen and the light table as well as the endlessly repetitive hours of typing and uploads. In fact it would appear that by stepping away from the technologies my mind retains a fresh human inspiration permitted me to accomplish more in the long run avoiding any frustrations or mechanized burn out. I highly recommend that you to shut off the power once in a while to let bugs crawl all over you while you read a real book ( that is one printed on paper).

Obviously the park is not without interruptions but the occasional skirmish, unwanted social activity or show boating is far less common than the beautiful silence and breeze under a tree. The silence too is not wholly impenetrable but the truth is that I actually enjoy the sound of the acoustic guitars and the occasional banjo. However I have encountered an increasingly aggravating trend which often passes as music but comes from no instrument. It is a little clicking and clacking muffled by a static buzz and it has perpetually grown and haunted my life. I tried to ignore in and at first assumed that my ears were out of sorts, possibly as a result of my years working the loud metropolis as a professional street artist. But alas as the buzzing and multiple clicks insisted on invasion I soon identified the sounds. They were activated by people and playing out of small phones as I finally correlated the noise to certain bobbing movements among small packs of pot smokers.

The static obscenities, which sound like nothing more, were apparently on purpose and as I have been informed, entitled electronic music whatever that is. Never mind my criticism though I am not here to discuss taste nor talent for what truly bothered me was the fact that these devices were being used in the park. Maybe it is music after all few people can endure the Stravinsky or Miles Davis that I’ve come on to depend but from a safe distance the sounds sound a lot like the city, an endless distortion and conglomeration of noise. I’ve been hearing a lot of phones lately but this afternoon was the worst.

There were at least three of these devices crackling from varied directions when as though to add insult to injury a new sound joined the party. Pulling up right beside me a car slowed to a park and the driver got out of the vehicle leaving his door open and radio on. He actually laid down in the grass with his bass hideously blaring and started to read the paper though I do not know how. Shortly thereafter a large tour bus pulled in and decided to idle. The vehicle easily two-thirds the length of the small park just kept vrooming and vrooming. The driver of this vehicle also got out and sat down to enjoy a cigarette in the now volumous park. Three phones playing static clicks, a car with popular music and a perpetually revving giant noise and pollution machine had me surrounded and had I not a coffee and some food to finish I’d have already left.

Then to my dismay as I forced down my hot drink another addition to the line of inconsideration. Some ---- brought in his electric guitar plugged in a bunch of laser beam effects and cranked out a programmed beat. Not only was he loud enough to be heard above all the rest but he was completely incoherent by any standard of song. I don’t favour speed death metal but I can understand it. This player however couldn’t even make the scene in a Japanese experimental noise band for the deaf ( just for the record I know deaf people actually do enjoy music by grooving on the vibrations but the analogy works well).

So there I was burning my mouth on the coffee while laughing to myself at the entire absurdity and even more so at the anger telephone owners who couldn’t enjoy there buzzing noises any more. Though not a single one of them relinquished there sonic projections and the fun just kept coming. Now if you think all sounds crazy you’ll scarcely believe what happened next. A couple sat down beside me gossiping aloud about some magazines, reviews and photo shoots when out of nowhere they produced a small screen. They turned on the laptop and video screen and started to watch a reel of commercials while laughing hysterically. COMMERCIALS! Not a show or a concert or even a moving but one after another they entertained themselves boisterously watching commercials!!!

Phone playing music, a car blasting beats, a huge bus running it’s engines, and a television playing commercials all at the same time while I was sitting in the park. Sitting in the park on a hot Friday afternoon eating my lunch under the trees, drawing reading and watching the birds no more. With not other choice but to find a quieter place upon which to rest I walked into the middle of the city, down Spadina avenue and sat under the Gardiner Expressway. Noting there were no devices nor people nor ads, I fell peacefully asleep hoping, if only just a little, never to waken again.








Tuesday, June 15, 2010

ALTERNATIVE COMICS an artist's statements

HEY APATHY! Surreal Artworks

Another attempt to explain what I do in 500 words or less, okay it's late and I'm bored but I think this will still prove valuable...

HEY APATHY! Is an ongoing artistic investigation into the metropolis, the people, and the mechanics of being. Using a combination of fine artworks and popular mass media I have developed a visual vocabulary expressing a stern yet optimistic warning towards future days. The entire project, initiated in 2001, reads as an extended narration involving ink drawings, murals, gallery installations, comic books, publications, street performances, video and animation. By way of this interdisciplinary and increasingly public process I’ve determined a vehicle for discourse suitable to both the gallery connoisseur and viewers of all ages. The validity of my life’s work will be examined through a brief analysis of the project’s history, cultural significance and current explorations.


HEY APATHY! Alternative Comics


In the initial drawings (2001) the city was announced as an ominous gear powered by an endless sea of faceless denizens. At that time I was working out an introverted artist’s studio and envisioned the metropolis as a nihilistic conglomeration of misdirected superficial and commercial ideologies. In order to better understand the phenomena in question I developed a uniquely extroverted artist’s process through which public presentations, performances, interactions and interventions would help resolve my inquiries. Since that time I have used the public forum to initiate exchanges with peoples from all over the world and of all walks of life. With each passing year I learned more of architecture and others as reflected in the ultimate progression of my works. Today the city is still rendered as a giant gear, only now it is fuelled by all sorts of strange individual rather than anonymous cogs in a machine.



The primary objective of the “HEY APATHY!” artworks is to produce a commentary simultaneously intellectually provocative as well as accessible to viewer of all ages. In order to best achieve a dialogue amongst broad audiences I have assimilated various technical approaches. Equal attention has been given to the development of sustain studio artworks and to the production of multi-media and accessible artworks. By experimenting with various presentation techniques, and one on one interactions my artwork delves into humanist themes introducing unsuspecting pedestrians to alternative ideas usually reserved for gallery walls. Through the inclusion of street performances, animations, and comics, HEY APATHY! is capable of communicating to an inclusive audience of all ages, races, and walks of life.


To the artist interested in initiating mass dialogue the possibilities of multi-media artworks facilitates necessity. In my most recent studies I have developing a series of videos, comics and art books suitable for both online presentation and gallery exhibition. I am currently creating a new hand drawn animation sponsored by the Ontario Arts Council in which over 300 fully rendered stills will be compiled on film. The idea being that the finished artworks will be prepared as a wall installation to accompany the film. The unique and extensive project travels through 13 short vignettes recounting the evolutionary narrative expressed throughout my art works including imagery developed between 2001-2010. The completed project will not only extend my technical vocabulary but will further my attempts to reconfigure popular culture, fine artwork as a sophisticated yet accessible conversation. The “HEY APATHY!” endeavour continually exposes a humanist ideology crossing the irrational barriers which segregate one man from another retaining much significance universally and decidedly Canadian. (Damn 541 words but close and better luck next time!)

HEY APATHY animation sample from FLIES HOLES AND ROACHES 2002

Monday, June 14, 2010

ALTERNATIVE COMICS Metropolitan Castles

HEY APATHY! ALTERNATIVE COMICS!

The magnificent metropolis has developed to an unmatched pinnacle boasting towering castles and systems of mass production. The denizens are influenced by controlled basic necessities and through the use of magically flickering and utterly unobtainable fantasies. By means of their servitude progress and wealth are in abundance and the prosperous city is ever growing sprouting concrete extremities out in every direction and across many distance lands. Functioning as an enormously intricate vascular structure the road ways provide the city with all the necessary provisions. To and from an apparently endless source trucks travel with the resources empowering the metropolis’ hunger and strength.

 
Though psychologically detached from world of rock and soil the castle rely heavily upon the earth to survive. Asides from the oxygen and water given freely the planet also harbours multiple secrets which are not as easily sought. In fact the skyscrapers, the servants and the vehicle are all dependent on the earth’s blood as the primary fuel source permitting the endless consumption but mother nature protects her life force with deadly defence. The blood although quit useful when handled properly is seething with toxins best left beneath the ground. However in all our ingenuity man has managed to extract the fluids sacredly horded under ground. But as with all things human error is destined to occur as one of the large blood tubes has recently failed.

 
Exploded in retaliation the pipes has burst forth seeping an environmentally fatal curse upon sea and land. The black liquid gold is quickly turned the colour of death as a seemingly unstoppable plague devours entire gulfs. Many animals and ecosystems not mention financial sectors have been crippled or extinguished by the devastating ooze. Fear not young metropolitans for the castles will still stand and likely feel little of the terror resultant of the catastrophe. And besides it is known that this disaster can be easily remedied since those responsible determine the most appropriate means to profit from the supposedly insignificant horror.


ALTERNATIVE COMICS STREET ART CHRONOLOGY 2008

HEY APATHY! Alternative Comics

I spent the fall and early winter of 2007 preparing for a large scale drawing installation. The show opened on the first of December and ran for an entire month at the Resistor Gallery on College Street, Toronto. The new years cold month were spent at the Kensington Market studio producing a series of 3 extended and extremely intricate pen and ink drawings. I returned to the street for my last full time season during the late May of 2008. In this my final year I had mastered my performances. I had overcome territorial battles, imitators, city by-laws and perfected my display. However despite conquering many of the streets obstacles there was one battle which could not be won. The 2008 street season proved to be one of the most gruelling of all as Toronto was swamped with unseasonably wet weather.


Last Street Drawing The Corner of Queen West & Soho

Though it was my practice to produce smaller detailed drawings during the week cumulating with weekend performance extravaganza’s the was not a single live painting produced on the streets in 08. The warm weather came late after a harsh and cold winter and was dampened by constant thunder storms and rain. In fact it actually rained every single Saturday and almost every Sunday for the entire spring and summer that year preventing all my public painting. The weekdays weren’t much better as I found myself perpetually closing up shop midday to avoid being drenched. Business was great when it was sunny but the clouds were relentless. A picturesque example of my street art that year is the image of me and two customers trapped under my umbrella waiting for the storm to pass so we can close the sale. I produced approximately 30 15 x 30 “ detailed pen and ink studies including my last street drawing depicting the landscape around me. Frustrated by the rainfall I found the season more contemplative than progressive and decidedly started illustrations regarding my evolutionary course. The diptychs explored comparative imagery of similar landscapes drawn in my initial hieroglyphic style and my more modern comic book renderings respectively. There were not many crowds and nor live paintings in the streets and having done some final analysis’ I decided it was time to move on.

CITY OF GEARS from a far and from inside.


Fortunately and fatefully cosmic at the same time I as the streets were fading I received three invitations to work at gala events. I painted at a huge fundraiser at the Don Valley Brick Works and at a Queen West Gallery Event, followed by a commissioned clothing design for the Art Gallery of Ontario and a performance in the storefront window of Toronto’s Hudson’s Bay Company Store. All the cards were lining up for me to move on as I found my street art exhibits landing in the most unusual of places. While the outdoors grew less friendly and workable due to the poor weather, many new doors were opening up and welcoming me inside.




The City Fish! HEY APATHY ink drawings 2008



I had expended much energy trying to work around the awful weather and found that my time was more fully consumed by this irritation than by the act of creation. I stopped working the streets in Sept of 08 though the transition was as natural as necessary as I’d already spent the better part of the season indoors. Feeling satisfied with my investigations I resided to start focussing on certain more detailed and sustained projects which could not be made in the streets. Not only did the rain dictate the amount of work being made but so to did the wind, dirt, and bird droppings which often plagued the streets. The life span of an illustration board being worked on in public is approximately three days. After this time the dust and moisture begins to take it’s toll. The tree I depended on for shade and shelter from the elements also had a tendency of releasing particles of sap across my papers. Therefore any drawing had to be completed quit quickly so as to be wrapped protectively under plastic before the streets ruined the piece. This meant no sustained artworks and absolutely no comics for such projects require pristine environments for production.The rain also played a huge part in determining the work for if the skies looked threatening I had to work on a small scale. No brushes or wet inks could be used on such days and as a result I worked exclusively with technical pens through out 2008.




 
In the fall I resigned and retired from my full time venture in the streets and decided to pursue the development of the HEY APATHY! comics. Having learned many things about architecture and others I set up my studio to start my surreal memoirs. The new comic book series would be a simultaneous exploration of my true life experiences and the mythological illustrations I created on the streets. The goal being to share my experiences of strange interactions with my sociological symbolic superhero drawings. Even though I was now well researched and certain that I’d learnt all I could from the public venue, I knew that I would miss the constant exchange of ideas so I started to plan ahead. Instead of working the streets I started booking a number of public festivals ensuring that I would perform at least once a month throughout the following year. Today I am still working at numerous festivals while simultaneously maintaining a ridged studio schedule. The result has been more comics and animations but no of the stories could have possibly sprouted with out the 5 years worth of investigative interventions which I performed in the streets.

Sunday, June 13, 2010

ALTERNATIVE COMICS Street Art Chronology 2007


HEY APATHY! Alternative Comics STREET ART

       
The 2007 was by far my most exciting as well as one of the shortest in the five year experiment. Having the luck of a profitable Christmas, I passed the 06 -07 winter indoors working on the pages for HEY APATHY! Book One. At the time of the March holiday, which often started my spring performances, the weather remain vicious but I was content to remain inside until midway through May when the spring finally sprung. I dove right into my new large location across from the Silver Snail and started painting enormous murals at a previously unmatched pace. Every weekend of good weather I made 10 x 12 foot ink murals live on Queen Street West. The new drawings were the biggest of all my performances and could be created in as little as 3 hours. The new season, new location and new performances generated new success.

      

Weekend Performance Painting on Queen Street West


           
I had used the area out front of the Black Bull Pub across the street from the Silver Snail for about a month the previous winter. The location held many advantages including shade, space, and the inability for other artist to intrusions but I knew that there would be certain political grievances ahead if I was going to maintain the spot. First of all the location was often used by a seasoned professional who is famous in Toronto for his enormous chalk renderings. However I was aware that he’d primarily relocated to a busier corner in front of the Eaton Center. I hadn’t seen the Chalk artist on Queen for at least 8 months so I had little concern of offending his seniority. Oddly enough on one of my first days in the new spot I returned to my table to find a set of earplugs sitting mysteriously by my pens. I had already started wearing plugs on the street as a result of experience and had a strange inclination that the gift came from someone else who was aware of the noise. I instantly thought of the chalk artist, the only other person who could possibly know how noisy that corner is over the course of a day. Obviously this is purely speculation but I like to think that the ear plugs were a sort of permission or changing of the guard giving me the approval to occupy the space.

               


ATTACK OF THE CN TOWER! Ink Drawings from the streets 2007
                
Though I never actually encountered the chalk artist I did run into territorial problems with another vendor over the space. For the first few days of the spring a sculptor named John started to compete with me for the space. He would come over a start yelling but I’d argue with my licences which I could tell at a gaze that the apparently derelict sculptor did not possess. One morning he actually picked up my table and smashed over my head and shoulders while I was knelling down to unpack. In another instance I had plaster shattered all around me and my work. Eventually through much peaceful negotiation John and I resided to accommodate each other and share the large space. Some how we made friends and enjoyed a very peaceful comradeship though the space was not fully ideal for two. Fortunately as my business picked up John too had some good fortune selling several sculptures at gallery rates and he retired early giving me the whole space. Despite our vagrant introductions, I am still good friends with John-Paul who ultimately proved the old adage that you can’t tell a book by it’s cover.


Working on some small canvas' during he weekdays

            
By the second week of the good weather I was running a tight ship. No one else disturbed or distracted me and the show went on full force. The CN Tower turned into an eyeball and heroes fought endlessly with villains. The city was a gear and it was being spun by all kinds of people. During the week days I worked on small canvas’ which were selling from $300-500 and in high demand. On Saturday’s I would paint large performance murals gathering enormous crowds and painting up a frenzy. I addition to the Queen Street performances I also did 6 paintings at various P.S. Kensington Car free Festivals totalling 27,10-12 foot ink drawings for the duration of the season. One of these incredible feats was captured in a time lapse video by photographer Craig Boyko. Entitled 3.5 hours with Mike Parsons featured a 10 x 12 foot depiction of the city of gears created one Saturday afternoon out on Queen Street West.
             
Live Painting at Kensington Market Street Festival
                   
Having worked as hard as I could and near perfecting my street art I retired for the year on the 1st of September. In a short 4 month season I’d actually talked to more people and sold more paintings than in all of my previous years combined. Instead of $10 sketches, I was selling paintings and my full line of merchandised comics, t-shirts, and prints were always running out of stock. My performances were becoming powerful as I attracted more and more onlookers and most importantly of all the summer weather was immaculate. At the end of August I booked an exhibition space for the first time in years, and retreated to the studio to develop 7 new pen and ink canvasses.



Saturday, June 12, 2010

ALTERNATIVE COMICS Street Art Chronology 2006 part 2.5

HEY APATHY! Alternative Comics


I’ve been posting this Street Art Chronology over the past couple of weeks as a first draft attempt to recollect my public performance artworks from 2004-2009. Basically I am running quickly through my documentation and memories in order to start to organize all these experiences which I will eventually edit, and catalogue on my website. So please forgive the rushed anecdotal an somewhat incomplete stories however they are proving themselves quite useful as a first stage sort of writing. Asides from certain articles being better written than others, I have also found some difficulty placing all the important events. In fact in yesterday’s post regarding the 2006 season, I forgot to include one of my strangest experiences.





During the early fall of 2006 I found my self over worked and rather stressed after numerous battles with the by-law officers, other artists and most fatally indestructible an onslaught of rainy weekends. The result left me far behind my regular quota for the season and the fear of a wet winter only exemplified my despair. I woke up early one Saturday to find yet another pouring storm and in my frustration I tripped on a smashed my acoustic guitar. The instrument was a hand made Seagull I had played on for years and in combination with all the other circumstances the incident caused me much grievance. Aggravated by my loss and the terribly wet weather I threw my fist to the wall in hopes of release. This was just about the stupidest thing I’ve ever done and though it took me three days to acknowledge the fracture I hand indeed broken my drawing hand. I received my cast the following Tuesday and was forced to return to the streets despite my condition. Interestingly enough I’d practiced many drawing techniques using my left hand and for the first time I discovered a wholly practical use for my ambidextrous experiments.



Although somewhat limited I managed to continue to produce and perform on Queen West a throughout my recovery. I was generally working on detailed comics pages during the fall but the accident forced me to make simplistic brush drawings like the character I had previously sold in 8.5 x 11 inch frames. Creatively stifled and obviously frustrated I had a rough time transporting my work to and from the streets and had too reduce my display to a 4 x 6 foot display for a couple of weeks. Oddly enough during this period of time, like any wounded creature in the wild, certain street predators took notice and actions against me.



Alternative Comics "The Epiphany!" Street Art 2006

There was another artist who had followed my example and started selling his drawings on the street. And like at least three other artists before him he had started to parody my drawings using similar black and white characters, phrases and drawing techniques. I’d let the incident pass for the most part as this imitator had set up a reasonable distance from my own display and had only a small and obviously incomparable display. However this relationship escalated following the casting of my broken right hand. Incredibly but not altogether surprisingly, as I set up my reduced display and sat down to work away with my left hand I looked up to see this other artist setting his drawings directly beside me. The sight was ludicrous and the people were making comments about who did it first and comparing us to each other in an unfavourable fashion. Right beside my image of a man’s head exploding with a comic world bubble stating “Not Again!” was almost an identical image drawn by the competitor in which his character said “This Keeps Happening!” . Another odd coupling involved two near identical images humanoid type creatures spitting flies. In fact I started to get angry as this was becoming a pattern and I was tired of street artists sitting in close proximity pretending to be me. At any rate my hand started to get better and before to long I was back up to my regular show. My drawings got faster and bigger again and amazingly the weather even started to pick up a bit.  Coincidentally at the same time that I was recovering the other artist was moving further and further away from my display until  he eventually  disappeared altogether.



Friday, June 11, 2010

ALTERNATIVE COMICS Street Art Chronology 2006 part 2


HEY APATHY! Alternative Comics Street Art


Part 2 continued from yesterday

The 2006 season lasted well into the fall with a brief relapse in good weather in time for the holiday season. Following the Edward Day show and the Cambridge Galleries Solo Exhibition, I continued to work on the streets performing weekend murals and working on pen drawings. The weather remained friendly until late in October and I happily held regular hours on the sidewalks of Queen West. It was an incredible experience to sit comfortably out doors in the fall as I witnessed the city change seasons and faces. All sorts of new people had arrived from all over as new students and new businesses started their year. The leaves changed slowly but assuredly though the temperature remained seasonably remarkable until the sudden November winds.




Without warning the streets turned cold and uninhabitable, the likes of I’d not seen for near two years. I returned to my studio satisfied for the season and decided to work on HEY APATHY! Book One. However the monstrous gusting passed rather quickly and the dampened weather recuperated in time for the Christmas shopping. I got back out on the street mid-way through November and found the holiday season worth weathering the colder weather. I would work until 7 each night with a lantern after dark. It was certainly getting colder but business was booming as many a weird drawing went off as gifts.




The most unusual occurrence erupted during my winter street art exhibits as the weather took a strange yet welcome new course. The winter let up and the sun started rising beaming temperatures in the low teens reminiscent of spring. For the last two weeks of December I set up a 12 x 12 foot display on Queen Street West across from the Silver Snail and painted giant pictures under a beautifully sunny and windless sky. It was as warm as 10 degrees Celsius and the streets were consumed by pedestrians more than in all my previous encounters. It is a very rare occasion for Toronto to experience such fine weather during the busiest shopping event of the year and every one took advantage. Including me, thanks to the unseasonable warm and dry climate I was able to do live paintings all throughout the month of December. It was like fourteen busy Saturdays all strung in a row. I never met so many people nor received such excited reactions, especially those from the younger awestruck viewers. Following a two week long street art extravaganza I finally retired to my studio for the winter and started putting together the artwork for my first HEY APATHY! Comic. The weather stayed relatively mild for the better part of the winter but there was no way I was going back out on the streets until spring. more at HEY APATHY!
 
Cover of HEY APATHY! BOOK ONE/13

Thursday, June 10, 2010

ALTERNATIVE COMICS Street Art Chronology 2006 part 1

HEY APATHY! Alterantive Comics at P.S. Kemsington 

Street Art Stories 2006

continued from ALTERNATIVE COMICS Street Art Chronology 2005-06 part 4 As the summer picked up so did the heat., in every sense of the word. The temperature rose as did the crowds and once more my performances were proving successful. I had expanded, uncontested to a full 10x14 foot display featuring a complete line of prints, large murals, and t-shirts when simultaneous success brought forth enemies both new and old. While I successfully exhibited the works at the T.O.A.E. and was invited to take part in a group show in one of Toronto’s best galleries, at the same time the celebrations caused me more by-law hardships while working on the street.

 
By the summer of 2006 I had developed numerous and practiced techniques for my live painting performances. I had stop detailing the images with bamboo and focussed entirely one brushes using the wooden handle end instead of the pen. 4 x 6 foot Monsters and spiralling metropolis spewed across the paper in a matters of minutes. The images involved several characters from the 2005 ink drawings including the Superhero, the Samurai, the Machinehead and the Evil eye. I worked out on Queen Street on a daily basis while performing on the weekends and at several P.S. Kensington Car Free street festivals . Numerous midnight missions were also made landing graffiti style cartoon decapitations all over the city.

 
Live Painting at the T.O.A.E.

The street drawings were starting to gain recognition and were successfully shown at the Toronto Outdoor Art Exhibition. The weather remained cordial throughout the entire weekend and the open air festival proved unbelievable busy. On the first day I painted a large set of character faces which I proceeded to cut and frame for the Saturday sales. This was a process I had repeated almost daily while exhibiting the work on Queen West. At first I would make ten or twenty of these scribbled monsters and they would last for a week but by 2006 I was making at least that many each day. Eventually it got to the point were I would set out a 4 x 6 foot scroll and draw 50-60 characters in a rough grid as a performance and hope the supplies lasted. Fortunately or otherwise the character performance at the T.O.A.E. was the last batch of small hand drawn artworks I ever made. I replaced my 8.5 x 11 “ selections with digital prints after the exhibition.

4 x 6 ft. Character Performance and Selection of Prints

 
I talked to adults and children and people from all over the world. I even met people who spoke only other languages as the show is a huge attraction for tourists and collectors alike.One of the most impressive encounters I had at the outdoor exhibition was my introduction to the curator of the Edward day gallery, Kelly McCrey. The Edward Day gallery is one of the most highly respected of fall the Torontonian establishments. Kelley invited me to take part in a group exhibition and I was proud to accept his incredible offer. The HEY APATHY! Street drawings were reaching new heights both technically, professionally and most importantly in terms of interactions.

 
Having travelled many drawings since my introverted studio days I really started taking to engaging the crowds. Every drawing had a story and I was talking to more people and drawing bigger crowds. Of course, like before, the attention attracted grievances . A neighbouring and fully licensed jewellery vendor took offence to my success and started perpetual reports of my “inappropriate” activities to my old friends the by-law enforcers. At first the by-law officers let me pass with my buskers license but the jeweller persisted. He even made false reports of illicit behaviour resulting in visitations and fruitless searches by the actual police. Eventual the by-law officers, after numerous complaints from the vendor, told me that my license was not fully legit. They got me on a technicality which states that the busker cannot actually put articles on the city walk ways. After several repeat encounters, in which I was always sent off of the streets, one of the by-law officers told me that he found out more about the licenses and that there was one I could get. I followed his instructions immediately and found myself fully licensed and back on the street.


 I lost almost two weeks of the summer battling with the vendor’s complaints and despite my full license I moved a safe distance away from that jeweller. It occurred to me that all the attention, my music and madness may have been quite problematic to his business so I tried not to hold any lingering hatred for the man. However I soon realized that the bout was indeed personal as the angered jeweller was quickly horded by drunken street people and musicians who occupied my vacated spot near the vendor for the better part of the following two years. Amazingly no matter how loud, how drunk, or how large their group expanded, I never saw the jeweller file another complaint?