Showing posts with label surreal art. Show all posts
Showing posts with label surreal art. Show all posts

Thursday, June 9, 2011

Comic Book Blogs SNEAK PREVIEW LIMITED EDITION T-SHIRTS


HEY APATHY! COMIC BOOK BLOGS!
SNEAK PREVIEW OF A NEW LIMITED EDITION
HAND PAINTED T-SHIRTS.
 MORE INFO COMING SOON!


Wednesday, May 25, 2011

COMIC BOOK BLOGS SURREAL ALIENS!

HEY APATHY!

COMIC BOOK BLOGS! A Surreal Alien Origin story! You know the one where a planet is doomed so they send their kid to camp earth . Not only does the child escape certain doom, but his rather ordinary existence on the otherworld is replaced by one of extrodinary prowress on our meager planet! More silly cartoons from my mid-life crisis sketchbook. Read comic books online!

Tuesday, May 17, 2011

Comic Book Blogs "SURREAL CITY"

HEY APATHY! Comic Book Drawings And Strange Stories

Inspired by my new housemates who have decided that the no smoking rule doesn't apply to them when a) they think no one else is home, b) they think everyone else is asleep, c) it is raining outside and d) if they have company over despite repeated warnings and a recent notice of eviction if the problem persits. Also a low income housing project that some of my friends from the graffiti street art days used to live in burned down last week thanks to a similiar problem.

Friday, January 7, 2011

The Bankers Battle Continues! Free Webcomics Weekly



The two unusual assistants of the mysterious mad scientist have infiltrated the office of an executive banker. As part of some weird plan the twins have been systematically replacing various denizens of the gear with laboratory made duplicates. Up till now the task has been a simple one, but the assistants haven’t faced any foes near as threatening as the almighty director of the city bank. New pages every Friday as part of the ongoing HEY APATHY! Surreal Comics mythology. HEY APATHY!

Thursday, January 6, 2011

Fast Food, High Speed, Low Life


Slouching over my drawing table with a grumbling stomach I worked through all the ink I’d poured out before noticing the late hour. It had been nearly ten hours since I’d boiled the first pot of coffee and a conglomeration of little lines was amassing on the page. The creative process can often be addictive and even more so under the duress of deadlines. I stood up for a stretch and was thinking about pouring more ink when the hunger manifested tenfold. There was no point to continue, I had to have food.



The dishes were done and the kitchen was prepared, I even had almost everything that I’d need for a good meal. However I felt rather put off when inspecting the cupboard. It wasn’t the metallic tinge of the canned goods, or even the stern warnings from the media against milk. No I simply didn’t feel inclined to the task of making up the food. Suddenly, as though the theatre had just darkened, I was struck by a loud flashing neon advertisement and a head full of loud noise. I recalled seeing my neighbors carrying home take-away sandwiches and knew that the counter was open late at night.



I’d only ten dollars in cash, meant for tomorrow’s grocery, but I figured on treating myself justifying the act knowing the sandwich would get me back to work. I left the house quietly so as to not awake Julii and was out and back with the goods within a matter of minutes. Standing on the front porch I reached casually in my pockets when I noticed that I’d forgotten my key.



These things happen when you are starving at 3 in the morning; nevertheless the doorman would let me in. Much to my surprise he was not at his post. I pondered my next step for a moment before the attendant returned. My sigh of relief was cut short by a moments terror for the face was unrecognizable, this was a new night watchman! My courtesy thwarted I had no choice but to call up Julii. I picked the cell phone from my coats lining and turned the it on.



Beep. The battery died so I walked over to the buzzer. All the codes and names on the directory were either faded or out of date. For the first time I realized that I didn’t know our own code. Not to worry, I thought, there is a payphone around the corner.Though it was working, and I had some quarters I drew a blank at the dial. I did not know the number. On my cell the number is programmed and I always just press 1.



By now I was starving so I sat on the bench by the entrance and devoured my sandwich. Although well seasoned and relatively delicious, I felt full but hardly revived or re-nourished. The empty card board calories and seeping sweet sauces did little or nothing to improve my famished state. There was nothing left to do but to wait and hope that someone I know passes in or out of the building. At three o’clock on a Wednesday the chances were slim.



The night was getting colder and the snow was blowing around when I finally notice a car pulling up. Finally an opportunity, I’ll follow them in. I no longer cared if I knew the tenants or not I would casually stroll up and follow them politely back in. Sure I looked a little rough after wandering around in the cold, but I had every right to be in the building and would hardly arouse any suspicion. The lights of the car beamed brightly on the drive so I sat patiently in order to time the move well.



It would be vital that I approached at exactly the right moment in order to catch the door. If I arrived too early I’d appear odd without keys, and if I was too late, well then back to the snow. The lights grew closer and I took a deep calming breath. In my mind I was already inside, nothing could go wrong.



The car lights flashed across the entrance window and the vehicle began to slow. It pulled right up to the door and I stood up timely ready for the approach. Then the most dreaded thing happened as the car neglected to stop. The lights moved passed the entrance and shone luminescent on the wall. They appeared like the eyes of an owl scowling the area in search of prey. The car turned slowly until the lights hit my face. Nearly blinded and completely surprised I stood frozen by the bench. The lights stopped dead in my direction a the doors of the car swung open. “Freeze, this is the Police, please identify yourself.” It appeared as though the new security guard had taken notice of my presence and was very nearly likely as bit of a go-getter. The last thing I remember was a spine tinkling shock-like sensation which turned my joints into jelly and set me into a fit hysterical laughter. In my mind I could visual my identification papers sitting on the desk upstairs just beside the door. My keys are probably there too but that is of little consequence, at least I won’t be sleeping out side tonight!  HEYAPATHY pen and ink artworks.


Wednesday, January 5, 2011

The City of Gears Kids Comics and Cartoons

HEY APATHY! THE SERIES STARRING


Robots, Monsters, Superheroes and the City of Gears! A group of artists and musicians battle strange technological terrors in the City of Gears! I spent a few hours this evening working on these character studies for the imaginary television series. I did a quick concept sketch for this before Christmas and promised myself that I would work it up a bit after New Years. Well it’s already the sixth of January and I hadn’t found anytime for this yet, which resulted in a guilty little nagging voice acting out as a constant subconscious reminder of my unfulfilled commitment. I finally caved, boiled up some coffee a made the time I’d committed to, to work on the pitch. I made drawings of 5 of the 7 team members and did a lot of meditative orginazation of their origins and the story,. Anyways I’ve got some commission work, and appointments to do deal with tomorrow and I am so close to finishing a scene in the animation that I’ll probably won’t get to finish this roster ( and all the villains) until early next week.



Here’s a quick breakdown of the kids comic book characters shown above

1) Instructor Howie- art teacher, zen master

2) Timmy- young artist, tablet can project 4-dimensional avatars the Timmy draws on the screen

3) Argenta- computer witch can communicate and gets along with any electronic/digital/ artificial intelligence. In the City of Gears everything from the sewer system to the skyscrapers is automated, giving Argenta abilities surpassing the greatest of history’s sorcerers.

4) The Robot- a strange computer chip is corrupting peaceful robots. When Argenta discovers and removes the chip the Robot tells her that it not only had the device made him do bad things, it also made him feel bad. Thankful for his freedom the Robot re-programmed himself to join and protect Argenta and her friends.

5) The Flutist Gale- music instructor and majestic flutist whose notes conjure nature and whose music battles the machines….



That’s it for now, damn it 3:49 am and I have to be a train station tomorrow by 9! Good night. HEY APATHY! FREE WEBCOMICS




Sunday, January 2, 2011

Surreal Artist Pen & Ink, Comics And Animation

HEY APATHY! Free Comics Online

Like most people living similar lives to my own, the past few weeks have been extremely busy. The Christmas holidays have come and gone and the New Year began without any notable incidents. I have remained as productive as one might while flinging myself from dinner to dinner at all ends of the city. I do not like shopping or travelling during the busiest time of the year but I really enjoy getting together with family and had the most delightful time seeing my new niece and playing with my 2 year old nephew. There are some troubles at home with my aging ailing uncle but otherwise all is well and everybody else was happy and healthy. Nevertheless, as an avid workaholic, I am excited to get into some uninterrupted time drawing in the studio.



During the festive frenzy I managed to finish last weeks webcomic ( on time for once!) and I went on ahead and finished next weeks installment as well. I also got some concept sketches done for a kid’s cartoon show and a few of these surreal face pen and ink illustrations (above). The animation, on the other hand, got put aside before Christmas because it requires too much concentration and I didn’t want to botch it. Tomorrow I have a couple of business meetings so I think I have to wait until Tuesday before the cartoon gets going again. I finally got a camera (thanks Dad!) so I’ll add some animation process shots to here when I start production again. SEE MORE ART HEY APATHY

Sunday, December 26, 2010

Pen and Ink Illustration "Holiday Crowds"



Stomping feet dressed in red and black casually filled the downtown core on this fine Boxing Day 2010. The bright sun and absent winds helped to combat the brisk winter temperatures and the city came sort of alive with tones of bargain hunting suburbanites. I am not really a shopper, and tend to avoid crowds unless I’m performing, so I had no reason to partake in the bizarre commercial energies flowing through out the city. However the seasonably beautiful weather compelled me to take a stroll and since I’d no personal involvement, I thought it might be interesting to observe the crowds. It’s a lot less stressful when you aren’t worried about you dream product being out of stock or wondering if you have spent enough money in order to save on the deals.



The majority of the city was as quiet as any cold winter Sunday. Kensington was almost closed and Chinatown was barren. Nevertheless when I got down to the main strip there were people in every direction, even some line-ups in front of stores. The crowds consisted mostly of young people all giggling and struggled with hands full of purchases. There was some family activity but mostly teen shopping. Luckily it was cold enough to slow things compared to years gone by, but nice enough to pack the streets to a comfortable capacity.There was a free and friendly stream of pedestrian traffic. Oddly enough I saw  a great deal of festive red colors popping out from all the drab black and dark browns Toronto is accustomed to. It was a joyful and courteous mob, and I was very pleased to see so many happy humans. The sun in our faces and not in front of computer screens, in fact I don’t even recall seeing any cell phones, the peoples were shopping in groups.


The majority of the city was as quiet as any cold winter Sunday. Kensington was almost closed and Chinatown was barren. Nevertheless when I got down to the main strip there were people in every direction, even some line-ups in front of stores. The crowds consisted mostly of young people all giggling and struggled with hands full of purchases. There was some family activity but mostly teen shopping. Luckily it was cold enough to slow things compared to years gone by, but nice enough to pack the streets to a comfortable capacity.There was a free and friendly stream of pedestrian traffic. Oddly enough I saw a great deal of festive red colors popping out from all the drab black and dark browns Toronto is accustomed to. It was a joyful and courteous mob, and I was very pleased to see so many happy humans. The sun in our faces and not in front of computer screens, in fact I don’t even recall seeing any cell phones, the jolly peoples were shopping in groups.




It made me temporarily hopeful to see such kind human spirits. It’s a shame it is only a euphoric reaction to their gluttonous expenditures and pre-programmed inclinations towards fulfilling manufactured desires through the perpetual purchasing of useless, damaging and utterly ridiculous things. The quick sketch above was inspired by my anthropological wanderings and born out of guilt because I didn’t actually do any real work today. Read the Webcomics!

Saturday, December 25, 2010

Free Weekly Comics Online! Page 11


Two unusual character’s dressed in surgical garments have been sneaking around replacing denizens with laboratory-made duplicates. In this segment, “The Banker” the strange assistants face their fiercest foe to date. Follow the surreal art misadventures every week as both the  audience and the author try to figure out what the hell is going on. READ THE WEBCOMIC!


I drew some of this pen and ink comic page on the train while travelling to my parents for the holidays. Not the most ideal place for a perspective interior rendering, or really any kind of drawing at all, so the page ended up kind of muddled. I really wanted to pay more attention to the line work, hoping to improve on last week’s image but kind of ruined my chances with the rush job on the bumpy track. I doubt anyone would even notice if I didn't mention it, but the dark planter on the right hade side, second panel, used to have all sorts of little details until I smudged the whole thing suddenly at a railway stop. Oh well there is always next week! HEY APATHY!

Tuesday, December 14, 2010

Toronto Artist


HEY APATHY! Toronto Artist
Getting ready for a long winter in the studio.


What a beautiful winter’s day for a stroll. The winds are blowing a white dust around. The ground is slippery and slushy but repeatedly painted white, as was I after ten minutes with a coffee on the corner bench. The computer says it is – 8 with 44 mph winds but it doesn’t really matter I made my way obtrusively through all my chores. These obstructions slowing my route had nothing whatsoever to do with the weather but merely mistakes and poor planning on the part of myself. I made way to the pet store to get crickets for my lizard forgetting of course that they are closed every Tuesday. Half way to the art store I remembered using up my supplies but realized at that moment I’d not brought enough money. I made my way home through the snow and back to for the supplies, another quick coffee and I was settled in the studio by three. I actually enjoyed the mild weather making the travels rather pleasant. I hate being cooped up no matter how productive it can be. At any rate yesterday my face froze in minutes and I couldn’t travel without a protective hood.



The rest of the afternoon was spent cleaning and organizing all my upcoming projects. Throughout the pleasant seasons I tend to carry very few supplies and travel around creating work. It is really keep track of my materials this way but obviously affects the kind of work I can produce. Now, as the freezing imprisonment approaches, I find myself working on multiple tasks and all the equipment gets scattered. Today was my third three hour session in three days of tidying and I’ve finally got all this stuff together. When you need a ruler or eraser, it is really convenient to know where it is.



The next few months are going to be divided between three primary tasks. The first is more animation. For this I use two pens, two brushes, a light table, one stack of 8.5 x 11” blank paper and another with finished drawings. Because of the magnitude of this project I have (now) a small area dedicated to this production. It is always set up so anytime I feel inclined I need only pick of the pen. The second endeavor is the ongoing weekly webcomic. For these drawings I use the same two pens and brushes but work on larger illustration board. I only do this once a week so I’ve got the boards and long rulers stored in a easily accessible and visible place. The third, and somewhat terrifying, winter project is working on the website. I cleaned out my computer and have all the hard copies, photographs and drawings ready by the scanner. Found piles of unlabelled cd/dvds to go through also. (The picture above is from one of the mystery discs) I’ve got a lot of rebuilding to do. A large portion of my site was built before I even knew what miniscule bits I now understand about the computer. Anyways it should look a bit better than it does now.



That’s enough about my boring life. Probably a little hyper from all the coffees today but I think this little ramble helped me sort out my own mind. Hopefully tomorrow will be consumed less by trivial duties and more with the new animations. In the meantime check out the HEYAPATHY! comics online.



Wednesday, December 1, 2010

Toronto Artist "A Paper-work Nightmare"

HEY APATHY! Comics Online


My Toronto artist studio floor is camouflaged with forms, essays, applications and endlessly bureaucratic pages of budgets and text. Hardly a drop of ink to be seen, the spots now entirely engulfed by the chaotic compilation of documents accompanied by randomly scattered brown envelopes and data discs. The theme to Gilliam’s Brazil echoes through the hallway as I dodge spelling errors, wrestle resumes and struggle to defeat the deadline horizon of this years granting season. The accumulation of two months worth of typing, reading, writing and rearranging words, numbers, pictures and accomplishments shuffles about slicing my ankles, stifling my every move. Duplicates, triplicates, multiple copies and only 1 copy of each form, sent to various addresses, all labeled with the artist’s name and the title of the proposed program of work or proposed grants program, each asking for the assistance in the development of a socially satirical body of animated atrocities. A little odd isn’t it? As one who spent most of his life perfecting a humanist art form derivative of folktales, street performances and the inspirational chaos conjured out of random experience, the penetration of paper work made me feel as a surreal Sisyphus might if only the boulder was a cabinet of forms which could never be completed. But alas I conquered the nightmare and that work is done.



As the opening description might suggest, the completion of said task was not an easy one. In order to get all this stuff done, and to the best of my abilities, I decided to make a meditation out of the event. I refrained from all drawing, recreational reading, and leisurely use of the internet. The only exceptions would include a late night cartoon or two after I’d exhausted my ability to produce proper essays and forms. I did get into one short discussion about the Justice League on facebook, but it was completely by accident as I actually went there for business purposes (I don’t usually chat on that forum).Abstaining from these small pleasures wasn’t too difficult because they all involve using the computer. After 8- 12 hours of working on the machine the last thing I felt like doing was traveling anywhere online. The most trying factor of the ordeal was suppressing the urge to be creative.



I stayed focused throughout the work but was perpetually taunted by my imagination. As soon as I’d step away or lie down the stories would start to flow, ….a tale of a dead man kept in motion by larvae and vermin feeding on genetically ingrained experiences, missed opportunities, broken dreams and embarrassed emotions… and things like that kept popping into my head. The next page of the comic, the animations, an idea, all crashing at my psyche attempting to overthrow the mathematical and essay driven obligations I’d imposed upon myself. It is certainly a strange battle, the artist, itself an anti-established deviation who throws paint on walls and lives free from all anxieties, forced to wade knee deep through imaginary paperwork in order to continue his mission of making a mess.



Despite the contradictory nature of the artist seeking finance from a world that he/she cannot help but criticize, the process is actually quite logical and certainly fare. Most of the applications require a brief, yet succinct, written account, some visual support material and summarized budget costs. It is amazing how many forms and copies you have to fill out in order to convey that simple information, but in the end if one knows what they want to do, and the work is of any cultural value, then one probably stands a good chance. At any rate finalizing all this organization of materials proved far more rewarding than repulsive and seems to have ended much swifter than it began. Well the letters are all sent and the remaining papers brushed to one side, so I think I’ll spend a day or two cleaning before doing whatever it is I’m going to next. HEY APATHY!

Monday, November 8, 2010

HEY APATHY! a brief article about comics, kids and the apocalypse ( my life's work)

HEY APATHY! SURREAL ART

“HEY APATHY!” is an ongoing artistic investigation into the city , people, nature, technology and the overall mechanics of being. In the initial ink drawings the metropolis is revealed as an ominous gear propelled by an endless sea of faceless denizens. In more recent artworks, the city remains a giant gear, only now it is all the different kinds of people, not anonymous cogs, who fuel the machine. In order to achieve such realisations I developed a particular artists process involving public interventions, gallery exhibitions, street performances and ultimately new media installations. Through this combination of fine artworks, interventions, merchandising, and multi-media technology, I have created an extended narrative analysis of life in the city in the hopes of inciting dialogue and initiating change. For my next project I intend to express the unique findings of my anthropological experiments through the creation of a multi-screen, hand drawn animation designed for installation at the Urban Space Gallery, (401 Richmond Street. Toronto Ont.) The importance of this artwork will be examined through a brief analysis of my overall artistic initiatives, the technical relevance, and cultural significance of the proposed artwork.




In pursuit of edification, “HEY APATHY!“ aims to develop artworks of social importance as a vehicle for instigating mass dialogue. When I started the project (2001) I used to represent the city as a lifeless entity corrupted by alienation, anonymity, and misdirected commercial ideologies.. At this time I was working out of the seclusion of a suburban basement studio and came to the conclusion that in order to best understand the phenomena in question it would be necessary to externalize my inquires. The plan being to immerse both the artworks and myself publicly in an attempt to answer the questions: “WHAT IS THE CITY?” , “WHO ARE ALL THESE PEOPLE?” and “WHERE DO I FIT IN?“. I have since executed this “Unconventional Interview” through numerous public exhibitions, street art performances, outdoor projections, and wall murals. These interventions have permitted me to meet and converse with thousands of people from all over the world, and of all walks of life. As a result the investigation has led to increasingly intricate discoveries about architecture and others, and ultimately more accessible artworks such as comics, merchandising and animations. Today the experiment is primarily concerned with the creation of drawings that are simultaneously intellectually provocative as well as accessible to younger audiences.





Throughout the entire project, a trend of increasingly accessible, public , and multi-media presentations has evolved. In order to communicate to on a broad scale my investigation consists of live performances, print publications, and new media projects with an emphasis on public interventions and exhibitions.
For the proposed media arts installation I intend to extend my combination of art and popular culture, by creating a unique and socially significant animated artwork. The hand-drawn animation will be presented as loop or “Living Painting” on a large format flat-screen , exclusively designed for exhibition at the Urban Space Public Gallery (see C2 for details). The technical process will differ drastically from the “Cell” or “After-Effects” industry standard. Using the research, craftsmanship, and methods of presentation associated with fine artworks, I will assimilate the popular technology necessary to discuss humanist topics of great concern by means of an abstract , yet accessible, animated language.





A fine balance of global issues and playful optimism is apparent in all of my artworks, an invaluable technique in the alchemy of connecting with both the public and the intellectual. In this constituently technological age, it has become second nature for the artist to adopt, infiltrate and subvert the mainstream. To an artist interested in mass communication, the probabilities of new media exploration facilitate necessity. The proposed animation will critique and subvert popular media, compare, contrast, and combine classical and commercial art forms, and most importantly, invite younger audiences into an alternative stream of communication. Potentially a pinnacle achievement in my aggressive attempt to reconfigure pop, art, technology, and self.

Tuesday, May 11, 2010

Alternative Comics THE STREET ART EXPERIMENT

HEY APATHY! Alternative Comics Street Art


Early Monster Comics Street Art displays


THE RED HOOD (lasted two days bfore it was covered with ink)


Flicker Flicker the screen gow thicker. My mind's eye virbates  lost, and each of my senses is tossed. Today I learned how to html white bacground on my website and have spent a short 14 hours fixing up the pages. Anyways the site looks a lot better but my brain is frizzled.  Good news is I've been accepted into both the Toronto Outdoor Art Exhibition and the Metro Toronto Comic Convention. Got the news today so things are only going to keep getting busier. I posted these street pics in celebration of this years good fortunes (the Ontario Arts Council Grant, the Toy Design, T.O.A.E. and Comic cons) to remind me how far I've come and to pester me knowing how far I've yet to go.





 
Check out http://www.heyapathy-comics-art.com/monster-comics-street-art.html to see some extensive postings I finished today.